Showing posts with label Shelby Colona. Show all posts
Showing posts with label Shelby Colona. Show all posts

Friday, January 18, 2013

Project2: Soiree

Subject: Shelby Colona

Project1 Time: 6.5hrs

Project52 Time: 13.5hrs

Project2 happened very randomly. I was going to work with Cedar Lake Contemporary Ballet and on my walk there I thought to myself, "I'm going to film tonight!" I texted all of the dancers that have committed to this project and found out who was available. After deciding who the subject would be, Shelby Colona, I had to figure out where we would shoot at. I remembered a location in Central Park called the Bethesda Arcade. It's a hauntingly stunning tiled arcade underneath the Bethesda Terrace located right by the (go figure) Bethesda Fountain. 

Inspiration photos by Nir Arieli. Dancers: Nathan Madden and Esme Boyce
I first found the location after viewing some photos by my friend and incredible visual artist, Nir Arieli. When I saw his photos years ago I knew that one day I would create something in that space. The space has an emptiness that I'm drawn to. And the fact that it's in the middle of one of the busiest parks in the world, gives it that little bit of irony that I love.

Since you can't just go film in Central Park, we had to be a little sneaky. It doesn't help that we aren't filming some natural pedestrian video that we could perhaps be mistaken as tourists. No, we decided to have a crazed girl waltzing on her own, drinking wine (illegal), throwing the glasses (also illegal), and filming in one of the parks most treasured historical places of architecture (illegal without a permit... which we didn't have). Needless to say, we had to be careful.

We decided to shoot at 11:30pm. We figured there wouldn't be anyone in the park really, other than the few stray dogs and crazies. Since the park doesn't close until 1am this gave us more than enough time to shoot what we wanted. We didn't prep movement for this shoot at all. I gave Shelby a structured improvisation and a few directives to follow and I let her do her thing! I trust her enough that I felt comfortable that I would get the shots I wanted. We ran into the small problem that there were no outlets to plug any extra lighting into, so the shots were a little dark and have a little too much grain in them for my liking, but overall I think the shoot went great! We were in and out of there in 2 hours. 

Editing this one was a toughie. I was struggling a lot with the quality of the footage because of the graininess. Once I got over that and decided it was ok, I just had to figure out how I wanted to present the movement. I knew I wanted a slight narrative, but I didn't know how to get it. I decided to create an atmosphere of a cocktail party. We see Shelby being social and flirty while enjoying her wine, and assume there are others around her. When we see the wide shot we realize she's alone, talking and having her own little soiree. She starts a little drunken dance and accidentally throws her glass. The dance continues and by time it smashes she is awaken from her drunken dream and realizes in the sober world she is alone. It took me about 4.5 hrs to edit this baby!

Let me know what you thought! 

Billy Bell | Artistic Director

Sunday, May 27, 2012

The Photographer

Nir Arieli was born in Israel and now is based in New York, NY. With a BFA from the School of Visual Arts and a background as a photographer for the Israeli military, he is now a portrait artist working closely with dancers. Nir is an admirer of beauty and gentleness, these qualities are the heart of his work. Visit Nir's website here!

The Photo Shoot

We wanted to shoot the promotional material for "You'll Never Be Alone" in a way that was fitting for the show. This proved to be a challenge since the dance is not choreographed, the set is not built, the costumes are not made, and the story is not clear yet. So what do we have to work with? A time. Since we know "You'll Never Be Alone" is an ode to the destruction of silent film we have a clear time period that we are working in. With a time comes a fashion and with a fashion comes a personality.
For the shoot itself we worked on the idea of, what we coined, "one liners".

One liner- Noun: A catchphrase or quick exclamatory thought that derives a clear emotion, action, or intention. For instance: 

                     "Oh, hey there!"        "I've got it!"      "No! Please don't!"




We would start with the initial reaction of the one liner and then intensify it until a point of sheer ridiculousness. We found that typically the ridiculous reactions were the photos that read with glamour and drama that we needed to create a silent film poster.

                           Good                       Better                         Best


We shot primarily in solos but played a bit with some group stuff playing with a three stooges idea. We noticed that in our inspiration photos (thanks to google image) typically there was a mix of emotions; One person was interested while the other was disinterested, or one person was happy and the other is terrified. 


The Photos

The goal is to create a movie poster with the idea of possibly hinting at a multiple personality disorder.

Buy tickets for the world premiere of "You'll Never Be Alone" on June 29th at the Ailey Citigroup Theater in NYC at LungeDance.com